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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

 

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RAFFAELLO Sanzio Lady with a Unicorn dfg oil painting

Painting ID::  8729

X 
 

RAFFAELLO Sanzio
Lady with a Unicorn dfg
c. 1505 Oil on wood, 65 x 51 cm Galleria Borghese, Rome
   
   
     

 

 

RAFFAELLO Sanzio The Blessing Christ oil painting

Painting ID::  8730

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RAFFAELLO Sanzio
The Blessing Christ
c. 1506 Oil on wood, 30 x 25 cm Pinacoteca Tosio Martinengo, Brescia
   
   
     

 

 

RAFFAELLO Sanzio Self-Portrait er78 oil painting

Painting ID::  8731

X 
 

RAFFAELLO Sanzio
Self-Portrait er78
1506 Oil on wood, 45 x 33 cm Galleria degli Uffizi, Florence
   
   
     

 

 

RAFFAELLO Sanzio Portrait of Agnolo Doni oil painting

Painting ID::  8732

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RAFFAELLO Sanzio
Portrait of Agnolo Doni
1506 Oil on wood, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

 

 

RAFFAELLO Sanzio Portrait of Maddalena Doni ft oil painting

Painting ID::  8734

X 
 

RAFFAELLO Sanzio
Portrait of Maddalena Doni ft
1506 Oil on panel, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

 

 

RAFFAELLO Sanzio Madonna del Cardellino ert oil painting

Painting ID::  8735

X 
 

RAFFAELLO Sanzio
Madonna del Cardellino ert
1507 Oil on wood, 107 x 77 cm Galleria degli Uffizi, Florence
   
   
     

 

 

RAFFAELLO Sanzio The Virgin and Child with Saint John the Baptist (La Belle Jardinire)  af oil painting

Painting ID::  8736

X 
 

RAFFAELLO Sanzio
The Virgin and Child with Saint John the Baptist (La Belle Jardinire) af
1507 Oil on wood, 122 x 80 cm Mus??e du Louvre, Paris
   
   
     

 

 

RAFFAELLO Sanzio Madonna with Beardless St Joseph sy oil painting

Painting ID::  8738

X 
 

RAFFAELLO Sanzio
Madonna with Beardless St Joseph sy
1506 Tempera on canvas transferred from wood, 74 x 57 cm The Hermitage, St. Petersburg
   
   
     

 

 

RAFFAELLO Sanzio The Entombment sys oil painting

Painting ID::  8739

X 
 

RAFFAELLO Sanzio
The Entombment sys
1507 Oil on wood, 184 x 176 cm Galleria Borghese, Rome
   
   
     

 

 

RAFFAELLO Sanzio The Entombment (detail) st oil painting

Painting ID::  8740

X 
 

RAFFAELLO Sanzio
The Entombment (detail) st
1507 Oil on wood Galleria Borghese, Rome
   
   
     

 

 

RAFFAELLO Sanzio Madonna of Loreto (Madonna del Velo) at oil painting

Painting ID::  8741

X 
 

RAFFAELLO Sanzio
Madonna of Loreto (Madonna del Velo) at
1509-10 Oil on wood, 120 x 90 cm Mus??e Cond??, Chantilly
   
   
     

 

 

RAFFAELLO Sanzio Aldobrandini Madonna (Garvagh Madonna) oil painting

Painting ID::  8742

X 
 

RAFFAELLO Sanzio
Aldobrandini Madonna (Garvagh Madonna)
1510 Oil on wood, 38,7 x 32,7 cm National Gallery, London
   
   
     

 

 

RAFFAELLO Sanzio Madonna with the Blue Diadem oil painting

Painting ID::  8743

X 
 

RAFFAELLO Sanzio
Madonna with the Blue Diadem
1510-11 Oil on wood, 68 x 44 cm Mus??e du Louvre, Paris
   
   
     

 

 

RAFFAELLO Sanzio Portrait of a Cardinal oil painting

Painting ID::  8744

X 
 

RAFFAELLO Sanzio
Portrait of a Cardinal
1510-11 Oil on wood, 79 x 61 cm Museo del Prado, Madrid
   
   
     

 

 

RAFFAELLO Sanzio The Triumph of Galatea (detail) oil painting

Painting ID::  8745

X 
 

RAFFAELLO Sanzio
The Triumph of Galatea (detail)
1511 Fresco Villa Farnesina, Rome
   
   
     

 

 

RAFFAELLO Sanzio The Triumph of Galatea (detail) oil painting

Painting ID::  8746

X 
 

RAFFAELLO Sanzio
The Triumph of Galatea (detail)
1511 Fresco Villa Farnesina, Rome
   
   
     

 

 

RAFFAELLO Sanzio The Alba Madonna oil painting

Painting ID::  8747

X 
 

RAFFAELLO Sanzio
The Alba Madonna
1511 Oil on canvas, diameter 98 cm National Gallery of Art, Washington
   
   
     

 

 

RAFFAELLO Sanzio St George and the Dragon oil painting

Painting ID::  51222

X 
 

RAFFAELLO Sanzio
St George and the Dragon
1505-06 Oil on wood, 28.5 x 21.5 cm
   
   
     

 

 

RAFFAELLO Sanzio Disputation of the Holy Sacrament oil painting

Painting ID::  51228

X 
 

RAFFAELLO Sanzio
Disputation of the Holy Sacrament
1510-11 Fresco, width at the base
   
   
     

 

 

RAFFAELLO Sanzio Madonna with the Fish oil painting

Painting ID::  51236

X 
 

RAFFAELLO Sanzio
Madonna with the Fish
1512-14 Oil on canvas
   
   
     

 

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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,